The Story of Film presents the history of the movies in a way never told before. Mark Cousins's chronological journey through the worldwide history of film is told from the point of view of filmmakers and moviegoers. Weaving personalities, film technology, and production with engaging descriptions of groundbreaking scenes, Cousins uses his experience as film historian, producer...(展开全部)

A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinema: langue ou langage?'"--Geoffrey Nowell-Smith, "Times Literary Supplement" "Modern film theory begins with Metz."--Constance Penley, coeditor of...(展开全部)

If the fact that they were single mothers meant that gorgeous women (who would not ordinarily look twice at Will) were willing to date him, then Will had it made. Inventing a son got him into a single parents support group, but rather than a fabulous new sex life, he found someone else's very real son -- a twelve-year-old with a lot to teach Will about being a grown up.

Will Lightman is a Peter Pan for the 1990s. At 36, the terminally hip North Londoner is unmarried, hyper-concerned with his coolness quotient and blithely living off his father's novelty song royalties. Will sees himself as entirely lacking in hidden depths--and he's proud of it! The only trouble is, his friends are succumbing to responsibilities and children and he's increasin...(展开全部)

My friend is missing. When he disappeared, he’d been working on a magazine about the paranormal―his first real job as an editor. With almost no budget, he’d resorted to digging through back issues and unused research material, looking for inspiration. As he did, a terrifying truth began to emerge about a certain place in the Kinki region. I have collected the relevant articles,...(展开全部)

An exploration of the film as a more expressive and profound medium. Includes an analysis of a sound-film sequence from Alexander Nevsky. The most instructive discussion of the film art yet put between the covers of a book (New York Times Book Review). Edited and translated by Jay Leyda; Index; photographs and diagrams.

电影本体论的入门专业教材。

Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical ...(展开全部)

Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical ...(展开全部)

Acting as a first book of whales, A Book About Whales teaches young readers everything they need to know about the largest mammals on earth: how they have evolved over millions of years, what and how they eat, their migration patterns, and more! Andrea Antinori’s whimsical black-and-white illustrations bring their underwater world to life. The book discusses a variety of whales...(展开全部)