Timothy Corrigan is a lecturer at the University of Pennsylvania.

In 1916, an eminent psychologist recorded his impressions of the fledgling film industry. His penetrating and prescient observations foretold many modern developments of the cinematic art, and this classic survey remains a text of enduring relevance to movie historians as well as to students of film and psychology.

The Story of Film presents the history of the movies in a way never told before. Mark Cousins's chronological journey through the worldwide history of film is told from the point of view of filmmakers and moviegoers. Weaving personalities, film technology, and production with engaging descriptions of groundbreaking scenes, Cousins uses his experience as film historian, producer...(展开全部)

The Story of Film presents the history of the movies in a way never told before. Mark Cousins's chronological journey through the worldwide history of film is told from the point of view of filmmakers and moviegoers. Weaving personalities, film technology, and production with engaging descriptions of groundbreaking scenes, Cousins uses his experience as film historian, producer...(展开全部)

Will Lightman is a Peter Pan for the 1990s. At 36, the terminally hip North Londoner is unmarried, hyper-concerned with his coolness quotient and blithely living off his father's novelty song royalties. Will sees himself as entirely lacking in hidden depths--and he's proud of it! The only trouble is, his friends are succumbing to responsibilities and children and he's increasin...(展开全部)

If the fact that they were single mothers meant that gorgeous women (who would not ordinarily look twice at Will) were willing to date him, then Will had it made. Inventing a son got him into a single parents support group, but rather than a fabulous new sex life, he found someone else's very real son -- a twelve-year-old with a lot to teach Will about being a grown up.

If the fact that they were single mothers meant that gorgeous women (who would not ordinarily look twice at Will) were willing to date him, then Will had it made. Inventing a son got him into a single parents support group, but rather than a fabulous new sex life, he found someone else's very real son -- a twelve-year-old with a lot to teach Will about being a grown up.

Will Lightman is a Peter Pan for the 1990s. At 36, the terminally hip North Londoner is unmarried, hyper-concerned with his coolness quotient and blithely living off his father's novelty song royalties. Will sees himself as entirely lacking in hidden depths--and he's proud of it! The only trouble is, his friends are succumbing to responsibilities and children and he's increasin...(展开全部)

A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinema: langue ou langage?'"--Geoffrey Nowell-Smith, "Times Literary Supplement" "Modern film theory begins with Metz."--Constance Penley, coeditor of...(展开全部)